give a glimpse of the great diversity and uniqueness of a world we create in our own images. We’Moon is about womyn’s spirituality (spirit-reality). We share how we live our truths, what inspires us, and our connection with the whole Earth and all our relations.
The Moon, whose cycles run in our blood, is the original womyn’s calendar. We use the word “wemoon” to define ourselves by our primary relation to the cosmic flow, instead of defining ourselves in relation to men (as in woman or female). We’Moon is sacred space in which to explore and celebrate the diversity of she-ness on Earth. We’Moon is created by, for and about womyn: in our image.
We’Moon culture exists in the diversity and oneness of our experiences as wemoon. We honor both. We come from many different ways of life. At the same time, as wemoon, we share a common mother root. As makers of We’Moon, we are delighted when wemoon from varied backgrounds contribute art and writing. We’Moon does not support or condone cultural appropriation (taking what belongs to others) or cultural fascism (controlling artistic expression). We do not knowingly publish oppressive content of any kind. We invite you to share your work with respect for both cultural integrity and creative inspiration.
We are fully aware that we live in a racist patriarchal society. Its influences have permeated every aspect of society, including the very liberation movements committed to ending oppression. Feminism is no exception—historically and presently dominated by white women's priorities and experiences. We seek to counter these influences in our work. Most of us in our staff group are lesbian or queer—we live outside the norm. At the same time, we are mostly womyn who benefit from white privilege. We seek to make We’Moon a safe and welcoming place for all wimmin, especially for women of color (WOC) and others marginalized by the mainstream. We are eager to publish more words and images depicting people of color created by WOC. We encourage more WOC to submit their creative work to We’Moon for greater inclusion and visibility. Learn more about how to submit your creative work, here.
Everything that flows moves in rhythm with the Moon. She rules the water element on Earth. She pulls on the ocean’s tides, the weather, female reproductive cycles and the life fluids in plants, animals and people. She influences the underground currents in earth energy, the mood swings of mind, body, behavior and emotion. The Moon’s phases reflect her dance with Sun and Earth, her closest relatives in the sky. Together, these three heavenly bodies weave the web of light and dark into our lives.
We show the natural cycles of the Moon, Sun, planets and stars as they relate to Earth. By recording our own activities side by side with those of other heavenly bodies, we may notice what connection, if any, there is for us. The Earth revolves around her axis in one day; the Moon orbits around the Earth in one month (291/2 days); the Earth orbits around the Sun in one year. We experience each of these cycles in the alternating rhythms of day and night, waxing and waning, summer and winter. The Earth/Moon/Sun are our inner circle of kin in the universe. We know where we are in relation to them at all times by the dance of light and shadow as they circle around one another.
As seen from Earth, the Moon and the Sun are equal in size: “the left and right eye of heaven,” according to Hindu (Eastern) astrology. Unlike the solar-dominated calendars of Christian (Western) patriarchy, the We’Moon looks at our experience through both eyes at once. The lunar eye of heaven is seen each day in the phases of the Moon as she is both reflector and shadow, traveling her 291/2-day path through the zodiac. The solar eye of heaven is apparent at the turning points in the Sun’s cycle. The year begins with Winter Solstice (in the Northern Hemisphere), the dark renewal time, and journeys through the full cycle of seasons and balance points (solstices, equinoxes and the cross-quarter days in between). The third eye of heaven may be seen in the stars. Astrology measures the cycles by relating the Sun, Moon and all other planets in our universe through the backdrop of star signs (the zodiac), helping us to tell time in the larger cycles of the universe.
Imagine a clock with many hands. The Earth is the center from which we view our universe. The Sun, Moon and planets are like the hands of the clock. Each one has its own rate of movement through the cycle. The ecliptic, a 17° band of sky around the earth within which all planets have their orbits, is the outer band of the clock where the numbers are. Stars along the ecliptic are grouped into constellations forming the signs of the zodiac—the twelve star signs are like the twelve numbers of the clock. They mark the movements of the planets through the 360˚ circle of the sky, the clock of time and space.
It is important to note that all natural cycles have a mirror image from a whole earth perspective—seasons occur at opposite times in the Northern and Southern Hemispheres, and day and night are at opposite times on opposite sides of the Earth as well. Even the Moon plays this game—a waxing crescent moon in Australia faces right (e.g. ), while in North America it faces left (e.g. ). We’Moon uses a Northern Hemisphere perspective regarding times, holy days, seasons and lunar phases. We’moon who live in the Southern hemisphere may want to transpose descriptions of the holy days to match seasons in their area. We honor a whole earth cultural perspective by including, among the four rotating languarges for the days of the week, two from the Southern Hemisphere: Swahili (a pan-African language spoken primarily in East Africa) and Quechua (the most common Amerindian language, spoken primarily in the Andes).
It is also important to note that all over the Earth, in varied cultures and times, the dome of the sky has been interacted with in countless ways. The zodiac we speak of is just one of many ways that hu-moons have pictured and related to the stars. In this calendar, we use the tropical zodiac.
Musawa © Mother Tongue Ink 2008